The German cleric who sparked the Reformation - and profoundly changed Europe – saw music as a divine gift. He almost certainly didn’t say ‘Why should the devil have all the best tunes?’, but he ...

Performances in N.Y.C. Advertisement Supported by Fall Preview Malcolm X at the Met. Jaap van Zweden’s farewell to the New York Philharmonic. Premieres by Kate Soper and Ted Hearne. It’s shaping up to ...

Performances in N.Y.C. Advertisement Supported by Thinking outside the canon, and finding the gritty and the beautiful, within it. By Joshua Barone and Corinna da Fonseca-Wollheim JOSHUA BARONE Few ...

Classical music has endured the test of time, captivating audiences with its timeless beauty. Among its grandest components, Opera transcends reality, whisking listeners away to a world of romance and ...

Up-and-coming musicians, part of a rigorous eight-week intensive program, return to perform in the Miami Beach Classical Music Festival (MMF) with a series of immersive performances, operas, and live ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. “As an international company serving an international city, one that each ...

The period instrument sound was most arresting in the overture, with the opening chords all attack and buzz. Reedy bassoons and shallow timpani predominated, these the edgy sounds that modern strings ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

Up-and-coming musicians, part of a rigorous eight-week intensive program, return to perform in the Miami Beach Classical Music Festival (MMF) with a series of immersive performances, operas, and live ...

Grabmusik, which Classical Opera's Artistic Director Ian Page neatly proposed in his programme note as a Holy Week "Cantata on Christ's Grave", offers an impressive counter to Bach's compact narrative ...

“The Classical Style: An Opera (of Sorts)” subverts expectations of the genre by making fun of classical composers typically featured in these concerts. The show, written by librettist Jeremy Denk ...